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| Expert | Average Ratings | Expertise |
|---|---|---|
Chris BushmanAvailable
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I`ve been involved in the technical aspects of the motion picture industry for the past 35 years. In 2007 I received a Scientific/Technical Academy Award for my contribution to archival film preservation. | |
Alessandro MachiU.S.
Available
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Hi, You can learn all about me at http://www.alexlogic.com | |
Troy SmithU.S.
Available
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I can answer questions on professional or amateur filmmaking and questions on Final Cut Pro, video cameras, lighting, sound recording, scriptwriting, storytelling, directing, producing, editing, multi-camera productions, shooting sports, picture to video, using DTE hard drives, using video cameras and editing in a very creative way and some 16mm filmmaking. I can't answer too many questions on 35mm filmmaking. |
I retired about a year ago, Caroline, so my response is a little non-current. I went back and read that old response and was amazed that the changes are not as dramatic as one might expect. Instead
For long shots, you would use a boom pole and a shotgun mic to get the audio without getting in the shot, or you could hide a few wireless mics on the actors. Often, that dialog is rerecorded and dubbed
Hi Tongai Paul Tafira, A very good way to learn how to learn, is to make an "electronic brochure" of your story. As you build your electronic brochure of images and explanations you will see it start
I really don't know. However, the best way is always going to be to do a test. Ask the theater how you can give them the video and simply observe the result, preferably at the end of the night or before
Sorry for the delay, Kaylee. That is a good question! You are right, aspect ratios are the measurements of the frame in terms of width by height using the same units of measure. Other popular aspect

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