| Name | Expertise | Status |
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Wanda Reinholdt
Canada
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| prepping for role; living in the moment; connecting with an audience; warming up; voice tips; connecting with scene partner | Available
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Evan T. Elliott
U.S.
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| I can answer any question that pertains to Acting on stage, auditioning for roles, singing on stage, and can provide many good useful tips that can help actors of all ages. As an actor and singer for the past 12 years, and as a new student to opera, I want to share all of the knowledge that I have learned to help YOU! | Available
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John T. Aney
U.S.
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| I hold a Masters` Degree in Theatre History and Dramatic Literature - I can help with any question on non-Musical theatre, including acting technique, dramatic literature, theatre history, etc.
Please note - I do not answer questions regarding song choices for musical theatre auditions. | Available
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Sean Martinfield
U.S.
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| I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves and choices, contact me. Also, as the Fine Arts Critic for SanFranciscoSentinel.com, it is my privilege to review productions at the San Francisco Opera, Ballet and Symphony, as well as Broadway National Tours booked into San Francisco's Orpheum, Golden Gate and Curran Theatres. I also review works by A.C.T (the American Conservatory Theatre) and Magic Theatre. I cover select films, tributes and retrospects, and various international film festivals – particulary those booked into The City's opulent Castro Theatre – including both the San Francisco International and Silent Film Festivals. For private vocal instruction, I can be contacted through craigslist.com. Look under Musicians, then keyword: Martinfield. | Available
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J. Spyder Isaacson
U.S.
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| Especially the Seattle theatre scene. Seattle is the number two theatre city of the nation, having more theatres than any other city (including Chicago!) except New York. I know the reputations of most of the local theatres, have worked with quite a number of them, and am currently earning the majority of my livelihood through live theatre. | Available
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Mark LeBeau
U.S.
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| I can answer questions on musical theater technique, repetoire, audition materials, classical arias, classical technique questions, repetoire, Historical information, Denver Performing Arts Scene | Available
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Amandalynne
U.S.
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| I can answer questions regarding vocal technique, auditions (including selecting appropriate pieces), music theory and music history. | Available
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Paul B. Crook
U.S.
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| I am qualified to answer questions regarding acting styles (including both straight and musical theatre), audition techniques, directorial questions, script analysis, casting, script selection, and theatre curricula. I cannot answer questions regarding acting/directing for TV or Film, technical theatre, theatre/stage management, theatre history, or dramaturgy. Please do not ask questions regarding homework, as I will not answer those. | On Vacation
returns 07/15/2008
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Beverly Stone
U.S.
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| I am happy to answer any questions as they relate to musical theater training. I have first hand knowledge of the length and extent of training needed to work professionally on Broadway and in other professional theater. My specialty is working with kids and teens who are interested in musical theater. | On Vacation
returns 07/08/2008
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| Recent Answers |
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2008-06-30 How to find singing auditions: Hello, Debbie – Thank you for the question. What does her teacher advise? Consider a radius of twenty miles around your hometown. Do a Google search: auditions, (names of towns). See what comes...
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2008-06-30 Broadway: Hello, David – Thank you for the question. The best advice I can give you is to do whatever you can to earn a full scholarship – or at least as much as you can over the four years of your academic...
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2008-06-30 Audition: Hi Ellie! I wish I could tell you more, but this is the advice I can give: Even if you don't feel confident in your skills, the last thing you want to do is show a lack of confidence in front of...
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2008-06-29 warm up: Hello, anon – Thank you for contacting me. I appreciate the detailed descriptions of your exercises. A 10-minute vocal warm-up is not enough. Strive for at least a half-hour. Your exercises are...
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2008-06-29 help: Hi Aurax...And thanks for writing. It sounds to me like you are using more of your throat to talk than your breath. When you speak, pay attention to how deeply you are breathing. Is your breath...
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