You are here:
| Expert | Average Ratings | Expertise |
|---|---|---|
J. Spyder IsaacsonU.S.
Available
|
Especially the Seattle theatre scene. Seattle is the number two theatre city of the nation, having more theatres than any other city (including Chicago!) except New York. I know the reputations of most of the local theatres, have worked with quite a number of them, and am currently earning the majority of my livelihood through live theatre. Beyond that, I have been a working professional for the past 10 years (after a long career in an unrelated field), have done just about everything in the field, and have done every possible type of theatre. Currently, I am also pursuing a new (and unexpected!) career as an animated film producer. (PLEASE NOTE that I am NOT an expert in music!) ***DO NOT*** ASK ME QUESTIONS REGARDING AUDITION SONGS OR MONOLOGUES - the answers require way too much information to be passed along by the All Experts system. | |
Sean MartinfieldU.S.
Available
|
I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc., and how to broaden and strengthen your range. Need an audition song for a Broadway Musical? I will give you suggestions that are appropriate to your vocal category and to requirements specified in the audition notice. I have also created a vocal methodology, "The Belter`s Method". It will enable those in Musical Theatre to practice more efficiently because it focuses on the demands of professional performers as well as to those auditioning for school and community productions, and as University and Conservatory performing arts majors. If what you want is a better voice and more control over your career moves ..... | |
Wanda ReinholdtCanada
Available
|
prepping for role; living in the moment; connecting with an audience; warming up; voice tips; connecting with scene partner |
Hello, Angel – Thank you for contacting me. I want to hear you demonstrate what you refer to as your "whistle register". Screaming comes from the back of the throat. By contrast, the sensation
Hi, Eliza -- Thank you for the question. In professional productions of LEGALLY BLONDE, the vocal range of "Enid" extends from G3 to G5. Junior versions of the musical might not have the same demands
Hi, Bethany — Thank you for the question and for your support. Day One of our first and private Master Class will be about me identifying where and how you are straining and to demonstrate the solutions
Hi, Patrick – Thank you for the question. The character of Doody in GREASE is a great Pop Tenor role. He spends a lot of time floating in and around High F and High A – and during the most passionate
Hi, Meg – Thank you for the follow-through question. "Lucy Harris" in JEKYLL & HYDE is at the top of the list of roles that will turn your voice into hamburger if you don't know what you're doing
Answers by Expert: