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| Expert | Average Ratings | Expertise |
|---|---|---|
John T. AneyU.S.
Available
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I hold a Masters` Degree in Theatre History and Dramatic Literature - I can help with any question on non-Musical theatre, including acting technique, dramatic literature, theatre history, etc. Please note - I do not answer questions regarding song choices for musical theatre auditions. | |
Andy FollinU.K.
Available
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I am a Certified Master Teacher of Estill Voice Training. EVT gives precise physiological solutions to voice problems. I was Classically trained, so understand the Bel Canto methods of training and singing, but also know the limitations of that method when applied to other musical genres (Theatre, Pop, Rock etc) Specialities include Music Theatre (especially how to Belt) and Opera, but I am happy to answer any and all questions on the voice and vocal technique. Answers will be based on sound, physiological and anatomical research, rather than centuries-old imagery. | |
AmandalynneU.S.
Available
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I can answer questions regarding vocal technique, auditions (including selecting appropriate pieces), music theory and music history. | |
Sean MartinfieldU.S.
Available
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I am a professional vocal coach in San Francisco. In addition to answers from a previous web site (Askme.com - where my "tag" was "VocalCoach") I have published over 2000 responses related to vocal training - particularly as it relates to Musical Theatre and Opera. I have 24 years of experience as Personal Trainer to singers and actors in the San Francisco Bay Area. I sang professionally for 20 years and know what it means to live the life of a musician. I can determine your voice category, i.e., Tenor, Baritone, Bass, Soprano, Mezzo-Soprano, Alto, Alto Belter, etc ..... | |
J. Spyder IsaacsonU.S.
Available
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Especially the Seattle theatre scene. Seattle is the number two theatre city of the nation, having more theatres than any other city (including Chicago!) except New York. I know the reputations of most of the local theatres, have worked with quite a number of them, and am currently earning the majority of my livelihood through live theatre. Beyond that, I have been a working professional for the past 10 years (after a long career in an unrelated field), have done just about everything in the field, and have done every possible type of theatre. Currently, I am also pursuing a ..... | |
Wanda ReinholdtCanada
Available
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prepping for role; living in the moment; connecting with an audience; warming up; voice tips; connecting with scene partner |
Hi there, Jasmine...And thanks for writing. I'm thinking that your breathing may be what is causing your tenseness. If you have support of the breath, the less likely you are to tense up. So I would
Hi there, Heather....And thanks for writing. Would you mind telling me how you find me on the list? What was it that drew you to ask me a question? I am interested in some feedback. Regarding
Hello, Lindsy Thank you for the question. Its always about how many guys show up to do whatever. So, start with the boys. What are there respective vocal ranges? Are they both more or less the
Hello, Stephen Thank you for the question. It is very common for men exploring the countertenor range to experience the shift in tonality you describe. As a natural tenor, the first thing you need
Hello, Lala Thank you for the question. I appreciate your sense of urgency. I think you would be entertained, absorbed, and very focused with the book, Music Theory For Dummies. You may want to

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