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YES = TEXT ANALYSIS, PERFORMANCE PROTOCOL, CAREER,* MONOLOGUES, *AUDITIONS, DEVISING THEATRE, IB THEATRE ARTS NO = scenic design and technical design
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I like to explore the internal logic of a play - what makes this event happen and why. I would challenge the notion that a play is simply a vehicle for a director's self expression - what did the writer write < find that out and you are ready for the ride of your life.
Some incomprehensible law holds us to a point of contradiction where we have no choice, where we do not like that which we love, where good and bad are inseparable partners impossible to tell apart, where heart-broken and ecstatic, can only resolve the conflict by blindly taking it into our hears. This used to be called being in the hands of God. Has anyone any better words to describe it?
| User | Date | K | C | T | P | Comments |
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| Thea | 10/26/09 | 10 | 10 | 10 | 10 | |
| Kimberley` | 10/08/09 | 8 | 6 | 10 | 9 | |
| Fatima | 09/25/09 | 10 | 10 | 10 | 10 | thank you so much, that was amazingly ..... |
| Alissa | 09/04/09 | 10 | 10 | 10 | 1 | I think the expert may have misunderstood ..... |
| Lizzie | 05/12/09 | 10 | 10 | 10 | 10 |
Mrs. Sorkin can be found in Christopher Durang’s Durang, Durang: And Other Short Plays (New York: Dramatists Play Service, 1996), 139 pp., ISBN 0822214601, ISBN 9780822214601; For performance rights:
Sounds like you need to research. Might I suggest a terrific book for you? It's called SHAKESPEARE ALIVE. Tiny paperback, preface by Joseph Papp (found of Shakespeare in the Park/Public Theatre NYC)
If I am not mistaken, they predicted Macbeth would grow in rank and finally become King. Also, that Banquo's lineage would become all kings. This second prophesy hastens Banquo and his son, Fleance's
I did a search on Faber & Faber, and I found several plays and young adult fiction by British writers that might be useful for your purposes: YELLOW MOON David Grieg ANTICHRISTA Amelie Nothomb
While choosing a monologue, try to determine the main objective or dilemma the character strives against and find that theme or topic in your monologue; that way, you'll be immediately recognized as 1)

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