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all things related woodwind repair and maintenance. I do not accept qustions regarding serial numbers and the value of new/used flutes.
Repair at the Balanced Scale is not Sax Pads considered in terms of “good enough” for a student instrument and meticulous for the professional. Traditional and time-tested materials and practices are coupled with modern band instrument repair tooling, techniques, and materials to provide excellent repair for all instruments.
Part of a Larger Organization N.A.P.B.I.R.T. (National Association of Professional Band Instrument Repair Technicians), of which I have been a member since 2004, is an international professional association comprised of musical instrument repair technicians from all over the world. A network of colleagues, mentors and friends, the Association encourages the continuing growth of the industry’s knowledge base through its newsletter, yearly conferences, and workshops.
Continuing Education - Student for Life In 2004-2006, I attended and completed the practical portion of a highly specialized program focusing on brass and woodwind repair at Keyano College. The Music Instrument Repair Program (M.I.R.) is the only one of its kind in Canada. The Program offers students a comprehensive foundation of repair theory coupled with practical application followed up with industry feedback and guidance. During my time at Keyano, I developed a deep interest in flute repair. In 2007, this interest took me to Straubinger Flutes in Indianapolis, Indiana where I received specialized training and certification for the installation and servicing of Straubinger pads. Experience and Training at a Glance Straubinger Flutes, Indianapolis, Indiana, USA 2007 – Straubinger Pad Certification Keyano College - M.I.R. Lab, Fort McMurray, Alberta, Canada 2004-06 - Student Shop Assistant Tool Trade, Windsor, Ontario, Canada 1993-2004 - All aspects of manual machining related to the tooling industry: Precision grinding E.D.M. (electrical discharge machining) Layout and inspection Hand polishing Spotting and fitting I.S.O. training University of Windsor, Ontario, Canada 1990-92 - Music Education
| User | Date | K | C | P | Comments |
|---|---|---|---|---|---|
| Dana | 09/10/10 | 10 | 10 | 10 | Great fast answer! |
| jane | 08/22/10 | 10 | 10 | 10 | Thanks. |
| Pat | 07/30/10 | 10 | 10 | 10 | Very timely response. He provided several links ..... |
| Jean | 07/13/10 | 10 | 10 | 10 | Thank you! |
| Robin | 05/22/10 | 10 | 10 | 10 | Thanks Mr. Joe Piccolo! I was not ..... |
Patty, Here is a link that show how to assemble the flute. http://www.youtube.com/watch?v=9biHYmw6JUc I just want to make sure you are on the right track. Have a peek at the video and ensure you
Terry, A gold Bundy....hmmmmmmmmmmmm sounds a bit off to me. IF you wish to try many head joints you might consider making a pilgrimage to a larger city for this quest. Prepare to shell out big bucks
Terry, The simple answer is depends. Who made the headjoint? What model of flute is it? Is it gold plated or solid gold? As a musician can you tell the difference between silver and gold
Ty, I order my tubing through the large musical instrument repair houses and from some flute makers I have grown to know. You might also consider buying brass and plating it yourself. Traditional
Darius, Check that the Eb key is staying closed and the spring has not come off the spring box/ (that little nub that the spring attaches to to operate the key) Does you low D,D# and C still work?
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