As a direct reservation trader in all aspects of American Indian arts since 1985, I've answered questions regarding cultural property issues, origins of traditional crafts, materials and techniques, collecting, authenticity, symbols and, of course, repairs! We have operated a retail gallery since that time, bricks and mortar until 2007 and online since 1996. Our online operation closed in 2/2015, to allow me to finally write full-time. My writing site can be found at www.sailletales.com I'll be adding a book or two from our trader experiences under the pen name of W.T. Durand and the rest of my fiction is under my own name. We are not "New Age" practitioners of adopted American Indian religious ceremonies or combined philosophies. If you are seeking such knowledge for spiritual reasons, we will only provide answers that address factual information on these subjects. Unless one is raised in a traditional, American Indian family with language, culture and religious belief intact, we don't believe that simply applying the trappings or cultural property of a given traditional group will give a non-Indian (Native if you prefer)any insight other than the academic.
My primary focus is on Southwester American Indian Nations and their people, but I also have experience in Plains and Northeastern traditions, having engaged in active trade and retail since 1985 and study for most of my life. I am not claiming any expertise at all in the work, techniques, lifeways or crafts that are made by the Native People of Mexico. They are not the same, either linguistically or culturally but certainly their crafts deserve discussion and appraisal by those who are able to provide real information.
I was a guest on Fox Network "Lifestyles" program, during the 1990s, to discuss how to tell forgeries, and authenticating jewelry as Native American work. I have also written extensively for our website, www.kivatrading.com and our Ebay Store.
UofO, 1970 active in the Authentic American Indian Arts business and direct Trader since 1985. Graphic Designer and published novelist.
I've been a student of American Indian culture and arts since my earliest childhood. Growing up in the West, we were surrounded by people of American Indian heritage -- many of my classmates were "Indian" kids. I've always held a deep respect for any culture that can withstand occupation and still flower.
As long as my ears remain open, I hope I'll absorb new information -- I'll also try and remember to keep my mouth closed when it is appropriate, as it's hard to learn when you're talking!
Navajo silver smithing is a recent art form. When the Navajo people were taken by the US Government in 1864 to a remote, hostile location in Southeastern New Mexico to re-settle, they had to rely upon the Army to supply them with their needs. Metal smithing was learned during their captivity, from Mexican tack workers who taught tooling and simple fabrication to a few eager to learn Navajo men.
The issue of just what constitutes "cultural property" pervades discussions of American Indian arts, especially discussions of authenticity. Cultural property is recognized in objects and symbols that have sprung from a specific indigenous culture, and associated with their spiritual and religious beliefs.
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Depending upon the local recording jurisdiction you are approaching, you may need to ask your related parent to make the request for you. Grandparents' documents are one generation removed for the easiest
Tribal membership is decided and regulated on the tribal level. Outside of internal databases and records, maintained by the tribes, there is no documentation beyond the late 1800s registration documents
This rug was made after 1920 or so, possibly as late as 1960, given the aniline dyes. It was woven by a Navajo weaver, probably a woman, on a hanging vertical loom. These are used because they can be moved
Yes, Cary. This is a real Navajo woven wool rug/blanket done in a combination of natural (grey and white) and Aniline dyes in what is commonly called a Ganado pattern, featuring a central medallion figure
Pablo, The medicine shield you have photographed is unusual as it shows signs of a layered/decoupage-like method of creating the design. In my experience, and traditionally, shields like these were made