I'm here to assist in answering any of your questions related to official vinyl record albums by The Rolling Stones. This includes all places on earth where Stones record albums were produced (including Chile, Iran, Colombia, and many more). Guided by a personal collection and database featuring albums from nearly every corner of the globe and every official pressing of US LP for public use, promotion-only, and unissued projects. Feel free to request information about any aspect from basic identification to thorough evaluation and everything in between such as country of origin, date of release, approximate valuation, matrix information, stampers, mothers, codes, re-issues, alternate pressings, alternate takes, best press sources, alternate sources of particular songs, and whatever else for both covers and discs. Answers are honest, legitimate, and are most often based on information gathered from my own collection and direct experience. Though I specialize in LPs, my knowledge extends to singles and EPs. Expect no plagiarism and no fabricated facts to cover-up lack of knowledge. If I don't have the answer for you, I'll give you another source to review or offer a quote with proper credit.
Over 20 years collecting records of The Rolling Stones from around the globe. I own hundreds of variations of album covers and discs, several of which are otherwise unidentified in other sources. My public online articles, reviews and overviews have been quoted and otherwise referenced in countless websites (including this one by other 'experts').
Rolling Stone (letter), Reader's Digest (quoted information), Acclaim (quoted information), Boston Globe (quoted information).
The best record-collecting education you can get is by talking to people from all walks of life. Listening and sharing. I live for it.
No matter how much one knows, there is plenty to learn and I am always eager. The learning and discovery never end, and only with communication can anyone achieve greater knowledge. I enjoy sharing what I know and learning what I do not.
Pressings matter. But first pressings, or that of a particular country, are not always the best. Remastering does not always reward listeners with welcomed results.
Records are often not as they are promoted by dealers and collectors. And this goes both ways. Records often promoted as scarce (rare, unique, grail) may not be, and others are far more scarce than people realize. Much information regarding particularly scarce Rolling Stones records is incorrect - perpetrated over the years by gossip.
|jim||08/04/15||10||10||10||thanks, I'll keep it for a while .....|
|chad||01/03/15||10||10||10||Thanks for getting back ahold of me .....|
|Larry Smith||12/31/14||10||10||10||I have been interested in the back .....|
|chad||12/23/14||10||10||10||Filled with tons of stones facts!|
|chad||12/23/14||10||10||10||Thank you for your quick response. I .....|
It's a common misconception that the unedited back cover for this album is a first edition. In fact, the first press did have the full text on back and was later amended, but the full text actually returned
Thank you. That's very interesting. Can't say that I've ever seen that. Looks like someone messed up. Based on the position of the 'LL' (so close to the 'G'), it would appear to be an early 1970s mono
Hello and thank you for your message. A US boxed mono in blue? That's very interesting. Could you provide a photo? Thank you.
Hello and thank you for your question. With regard to U.S. pressings of Exile on Main Street, the easiest way to distinguish a first pressing from all subsequent non-contemporary pressings is to look
Hey there, my friend, I trust your holiday was pleasant and I want to wish you a Happy New Year. Yes, that website is a great resource. And you got the No. 2 pasteover - nice. How many made it to