Musical Composition, Theory and Songwriting/Expert Profile


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Expertise

Can answer questions on : Technical aspects of lyric and music compostion; How to give and receive objective critique; Arranging and production; Concrete vs abstract imagery; Use of metaphor; Rhyme techniques; Song Structure; Collaboration; Songwriter Associations; Promotion; Guitar technique; Music Business;

Experience in the area

Grammy-nominated songwriter; President of the Connecticut Songwriters Association and Director of the Connecticut Songwriting Academy; Named one of the Top 50 Innovators and Guiding Lights of the Music Industry in 2008 by Music Connection Magazine; Author of "Songcrafters' Coloring Book:The Essential Guide to Effective and Successful Songwriting." Named Independent Artist of the Year,by the 2003 national Independent Music Conference; 30 years as a professional singer-songwriter; 16 original CD's released;
Have had songs placed on other artists' CD's. Twice named Connecticut Songwriter of the Year.
20 years as Executive Director of the LUNCH Ensemble. Have attended more than 200 presentations by top industry professionals and have critiqued thousands of songs. Have written and produced dozens of stage plays and hundreds of concert events; Have coached hundreds of aspiring songwriters, and collaborated with several award winning writers. Have written commissioned songs as an Official Connecticut State Troubadour. Music Director of youth choirs and music camps.

Organizations

Connecticut Songwriters Association (President); LUNCH Ensemble (Local United Network to Combat Hunger -- Exec, Director); CMEA (Connecticut Music Educators Association); Folk Alliance; Association For Psychological Type; Songsalive; WE R Indie; Creative Songwriting Academy;

Publications

Songcrafters' Coloring Book: The Essential Guide to Effective and Succesful Songwriting Songwriters Market (2001, 2002); Connecticut Songsmith; Contemporary Songwriter Magazine; Songwriters Musepaper;
Songcrafter's Coloring Book;   Strategies for Teaching Guitar;

Education/Credentials

Masters Degree Molecular Biology; Certified MBTI Practitioner (Myers Briggs Type Indicator); Connecticut Secondary Public School Teaching Certificate; Author: "Songcrafters' Coloring Book: The Essential Guide to Effective and Successful Songwriting"

Awards and Honors

2012 Grammy nomination; Named one of the Top 50 Innovators and Guiding Lights of the Music Industry in 2008 by Music Connection Magazine; Independent Artist of the Year, (2003 national Indie Conference); Official Connecticut State Troubadour, appointed by CT Commission on the Arts, 1995 ; 1982 and 1992 CT Songwriter of the Year; 2000 Award for 20 years of Outstanding Service to Songwriters;
2002 CSA Award for Outstanding Contribution to Education through Music; Numerous awards for outstanding community outreach through music; 1997 Citation from Connecticut Legislature for exemplary dedication to community outreach through music. 1995 Renaissance Award for multiple music achievements in a single year.   Invited Presenter and Mentor at various Music Conventions

What do you like about this subject?

Songs have great power to reach people, and songwriters can be a great force for positive social change.

What do you still hope to achieve/learn in this field?

The rapid pace of change in music technology requires constant learning to make use of the full range of tools for creating and producing songs.

Something interesting about this subject that others may not know:

Songwriting is not just self-expression -- it is the craft of turning self-expression into clear communication.

Something controversial or provocative about this subject

Songwriting has no actual "rules" but communication does. For a song to achieve a desired effect when heard by a listener, it requires application of various techniques and guidelines.


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    K = Knowledgeability    C = Clarity of Response    P = Politeness
UserDateKCPComments
John01/24/12101010Mr. Pere took the time to fully .....
John01/24/12101010I would like to thank Mr. Pere .....
Rosana01/22/12101010Thank you for giving such specific helpful .....
Kevin12/17/11101010 
Kevin11/18/11101010 

Recent Answers from Bill Pere

2012-02-05 Vocal Arrangement fees:

Martin,     There is no precise answer for this question as it involves many different factors:    -- Are you creating original arrangements?  -- Are you being paid as work-for-hire so that you will not

2012-01-24 Licensing:

John,    Thanks for your question,  This is an important topic that confuses lots of folks.  You're talking about several different kids of licenses to do what you describe.    To put your lyrics to someone

2012-01-23 my song:

Dick,     Thanks for your question.  You're actually asking two questions:  The first is how to transcribe what you've written onto sheet music.   Yes, it can be done with computer.  There are two options:

2011-12-17 A chord question about writing hymns:

Kevin,     Thanks for your question.    In writing a hymn, or any type of music, you can always use any chords you want, but if you want it to have a sound that is familiar to the genre, then you should

2011-11-16 Does the song length determine whether you have a bridge or not?:

Kevin,     Thanks for your question.  Lots of writers get confused about elements of song structure.     The length of a song has nothing to do with whether or not to use a bridge.  The need for a bridge

 

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