You are here:
Especially the Seattle theatre scene. Seattle is the number two theatre city of the nation, having more theatres than any other city (including Chicago!) except New York. I know the reputations of most of the local theatres, have worked with quite a number of them, and am currently earning the majority of my livelihood through live theatre. Beyond that, I have been a working professional for the past 10 years (after a long career in an unrelated field), have done just about everything in the field, and have done every possible type of theatre. Currently, I am also pursuing a new (and unexpected!) career as an animated film producer. (PLEASE NOTE that I am NOT an expert in music!)
I have been an award-winning actor, singer, playwright, director and administrator (on various levels, all categories) for the past 30 years. A large part of my expertise has been with live theatre, although I do have a minor connection to filmed theater. I have done musicals, straight dramas, straight comedies, and experimental theatre.
Theatre Puget Sound Magical Mystery Troupe Centerstage Theatre Conservatory Board of Trustees (former) Express-Theatre Northwest (former) Snoqualmie Falls Forest Theater
Unrelated trade publications
B.A. in Theatre Arts, Gonzaga University M.Ed. in Education and Technology, Western Governor's University (in progress)
Mutiple awards (ask for specifics), Kennedy Center/American College Theatre Festival Valley Community Players, Best Supporting Actor
C's Animation Studio Productions, LLC
Kurt Vonnegut once said "you know you are a writer if for you to not write is to die." That's how I feel about acting.
To start to formally teach theatre in a recognized (preferably widely-respected) theatre program at a post-secondary institution.
To succeed in the professional arena, it is absolutely *ESSENTIAL* to land an agent (not an easy prospect, either).
Whether a prospective actor should learn the Method (Strasbergian or modified) or pursue the Meisner Technique.
| User | Date | K | C | T | P | Comments |
|---|---|---|---|---|---|---|
| Stephen | 08/19/09 | 10 | 10 | 10 | 10 | Thanks very much for the great advice! |
| margaret | 08/11/09 | 10 | 10 | 10 | 10 | |
| Jessica | 05/03/09 | 10 | 10 | 10 | 10 | thank you,oklahoma is where i live ..... |
| Tracy | 12/01/08 | 10 | 10 | 10 | 10 | Thank you so much for both of ..... |
| jane | 12/01/08 | 10 | 10 | 10 | 10 |
The main idea is to be pushing the diaphragm down at the same time you're pushing air up through your relaxed larynx. Eventually, the air will be pushed up *by* the diaphragm. This is where your power
Probably the simplest is the following: Tighten your belt one notch tighter than usual. Breathe in pushing at your belt (this pushes your breath down to the diaphragm). Relax your throat completely
Great career goal! I would suggest one alteration, though - don't lock yourself into only one channel (for instance, film work pays considerably better than TV#. The only real way to break into the
Actually, my answer was intended to apply to *any* situation where you need to be heard in a loud voice. Projection works equally well with small groups (even two people if you need to speak loudly) or
Thank you for a more unique question than usual! Your singing friend is partially correct. Relaxing the vocal chords does make speaking loudly a bit easier. Even so, there is a better way. One

©2009 About.com, a part of The New York Times Company. All rights reserved.