You are here:

Acting in Plays, Singing/Expert Profile

J. Spyder Isaacson

U.S.

Available

Expertise

Especially the Seattle theatre scene. Seattle is the number two theatre city of the nation, having more theatres than any other city (including Chicago!) except New York. I know the reputations of most of the local theatres, have worked with quite a number of them, and am currently earning the majority of my livelihood through live theatre. Beyond that, I have been a working professional for the past 10 years (after a long career in an unrelated field), have done just about everything in the field, and have done every possible type of theatre. Currently, I am also pursuing a new (and unexpected!) career as an animated film producer. (PLEASE NOTE that I am NOT an expert in music!)

Experience in the area

I have been an award-winning actor, singer, playwright, director and administrator (on various levels, all categories) for the past 30 years. A large part of my expertise has been with live theatre, although I do have a minor connection to filmed theater. I have done musicals, straight dramas, straight comedies, and experimental theatre.

Organizations

Theatre Puget Sound Magical Mystery Troupe Centerstage Theatre Conservatory Board of Trustees (former) Express-Theatre Northwest (former) Snoqualmie Falls Forest Theater

Publications

Unrelated trade publications

Education/Credentials

B.A. in Theatre Arts, Gonzaga University M.Ed. in Education and Technology, Western Governor's University (in progress)

Awards and Honors

Mutiple awards (ask for specifics), Kennedy Center/American College Theatre Festival Valley Community Players, Best Supporting Actor

Past/Present Clients

C's Animation Studio Productions, LLC

What do you like about this subject?

Kurt Vonnegut once said "you know you are a writer if for you to not write is to die." That's how I feel about acting.

What do you still hope to achieve/learn in this field?

To start to formally teach theatre in a recognized (preferably widely-respected) theatre program at a post-secondary institution.

Something interesting about this subject that others may not know:

To succeed in the professional arena, it is absolutely *ESSENTIAL* to land an agent (not an easy prospect, either).

Something controversial or provocative about this subject

Whether a prospective actor should learn the Method (Strasbergian or modified) or pursue the Meisner Technique.

Average Ratings

Recent Reviews from Users

User	Date	K	C	T	P	Comments
Stephen	08/19/09	10	10	10	10	Thanks very much for the great advice!
margaret	08/11/09	10	10	10	10
Jessica	05/03/09	10	10	10	10	thank you,oklahoma is where i live .....
Tracy	12/01/08	10	10	10	10	Thank you so much for both of .....
jane	12/01/08	10	10	10	10

Recent Answers from J. Spyder Isaacson

2009-11-14 Is it possible for a tenor to hit baritone A?:

As the saying goes, "anything is possible" (it's just that some things are less likely). Less whimsically, though: the human voice is an amazing thing, capable of amazing possibilities. The key thing

2009-08-13 Thanks a lot:

The main idea is to be pushing the diaphragm down at the same time you're pushing air up through your relaxed larynx. Eventually, the air will be pushed up *by* the diaphragm. This is where your power

2009-08-01 help:

Probably the simplest is the following: Tighten your belt one notch tighter than usual. Breathe in pushing at your belt (this pushes your breath down to the diaphragm). Relax your throat completely

2009-07-27 My career:

Great career goal! I would suggest one alteration, though - don't lock yourself into only one channel (for instance, film work pays considerably better than TV#. The only real way to break into the

2009-07-22 help:

Actually, my answer was intended to apply to *any* situation where you need to be heard in a loud voice. Projection works equally well with small groups (even two people if you need to speak loudly) or

Answers by Expert:

Browse Answers: